By Amy Hungerford | The American Novel Since 1945 Lecture 14 of 26
In this lecture at the midpoint of the course Professor Hungerford takes stock of the syllabus thus far and to come by laying out her guiding thesis of the Identity Plot, a rubric for understanding novels in the twentieth century as, she argues, the Marriage Plot is a rubric for understanding novels in the nineteenth century. Referring to examples throughout the syllabus, but especially Maxine Hong Kingston's Woman Warrior, Hungerford describes the overriding tendency of American novels written after 1945 to explore the tension between individual and collective identities and to interrogate the artistic and political stakes of competing notions of authenticity.
In "The American Novel Since 1945" students will study a wide range of works from 1945 to the present. The course traces the formal and thematic developments of the novel in this period, focusing on the relationship between writers and readers, the conditions of publishing, innovations in the novel's form, fiction's engagement with history, and the changing place of literature in American culture. The reading list includes works by Richard Wright, Flannery O'Connor, Vladimir Nabokov, Jack Kerouac, J. D. Salinger, Thomas Pynchon, John Barth, Maxine Hong Kingston, Toni Morrison, Marilynne Robinson, Cormac McCarthy, Philip Roth and Edward P. Jones. The course concludes with a contemporary novel chosen by the students in the class.
Lecture Transcript and Reading Assignment
