Yale / Literature

Samson Agonistes (cont)

By John Rogers | The Poetry of John Milton Lecture 24 of 24

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Lecture Description

In the final lecture of the course, the analysis of Samson Agonistes comes to a conclusion with an exploration of the poem's sexual imagery. Milton's choice of subject matter is puzzled over, as are the ethics of his tragic hero, particularly when compared to the heroes of Milton's previous epics. The poem is positioned as a means by which Milton ultimately resolves the poetic, religious, and career-related crises of his earlier poem, "The Passion," and the compelling relationship between the corpus and the poet's biography is revisited one final time.

Course Description

A study of Milton's poetry, with some attention to his literary sources, his contemporaries, his controversial prose, and his decisive influence on the course of English poetry.

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Lecture Transcript, Handouts, and Reading Assignment

Course Index

  1. Introduction: Milton, Power, and the Power of Milton
  2. The Infant Cry of God
  3. Credible Employment
  4. Poetry and Virginity
  5. Poetry and Marriage
  6. Lycidas
  7. Lycidas (cont)
  8. Areopagitica
  9. Paradise Lost, Book I
  10. God and Mammon: The Wealth of Literary Memory
  11. The Miltonic Simile
  12. The Blind Prophet
  13. Paradise Lost, Book III
  14. Paradise Lost, Book IV
  15. Paradise Lost, Books V-VI
  16. Paradise Lost, Books VII-VIII
  17. Paradise Lost, Book IX
  18. Paradise Lost, Books IX-X
  19. Paradise Lost, Books XI-XII
  20. Paradise Lost, Books XI-XII (cont)
  21. Paradise Regained, Books I-II
  22. Paradise Regained, Books III-IV
  23. Samson Agonistes
  24. Samson Agonistes (cont)
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