World Literature
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In this lecture, Professor Paul Fry explores the semiotics movement through the work of its founding theorist, Ferdinand de Saussure. The relationship of semiotics to hermeneutics, New Criticism, and Russian formalism is considered. Key semiotic binaries--such as langue and parole, signifier and signified, and synchrony and diachrony--are explored. Considerable time is spent...more
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This lecture covers Paradise XXIV-XXVI. In the Heaven of the Fixed Stars, Dante is examined on the three theological virtues by the apostles associated with each: St. Peter with faith (Paradise XXIV), St. James with hope (Paradise XXV), and St. John with love (Paradise XXVI). While mastering these virtues is irrelevant to the elect, it is crucial to the message of reform the pilgrim-turned-poet will...more
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There are many ways of interpreting the text, and ancient methods of interpretation may seem bizarre to our modern sensibilities. The New Testament offers us many examples of how an early Christian might interpret the text of the Hebrew Bible, which was their scripture. The Letter to the Hebrews, which is not really a letter but a speech of encouragement, structures its argument...more
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Professor Mazzotta begins this lecture by recapitulating the ambivalent nature of Ulysses' sin and its relevance to Dante's poetic project. Inferno XXVII is then read in conjunction with the preceding canto. The antithetical relationship between Dante's false counselors, Ulysses and Guido da Montefeltro, anchors an overarching discussion of the relationship between rhetoric and politics. The latter half...more
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In this lecture on the postmodern psyche, Professor Paul Fry explores the work of Gilles Deleuze, Felix Guattari and Slavoj Žižek. The notion of the "postmodern" is defined through the use of examples in the visual arts and architecture. Deleuze and Guattari's theory of "rhizomatic" thinking and their intellectual debts are elucidated. Žižek's film criticism, focused on the relation between...more
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Guest lecturer Professor David Lummus discusses Purgatory XXIV-XXVI. On the terraces of gluttony and lust, the pilgrim's encounters with masters of the Italian love lyric give rise to the Comedy's most sustained treatment of poetics. Through Dante's older contemporary Bonagiunta (Purgatory XXIV), the pilgrim distinguishes the poetic style of his youth from that of the courtly love tradition...more
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The New Testament and other texts provide us with many accounts of the Apostle Paul, some that contradict each other. Throughout the history of Christianity, Paul has assumed many different roles for different people. For the early Christians he was primarily a martyr. For St. Augustine, and later Martin Luther, he was a man interpreting the Gospel through his psychological struggle with guilt....more
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This course approaches the New Testament not as scripture, or a piece of authoritative holy writing, but as a collection of historical documents. Therefore, students are urged to leave behind their pre-conceived notions of the New Testament and read it as if they had never heard of it before. This involves understanding the historical context of the New Testament and imagining how it might appear to an ancient person.
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In this lecture, Professor Mazzotta examines Paradise XVIII-XIX and XXI-XXII. In Paradise XVIII, Dante enters the Heaven of Jupiter, where the souls of righteous rulers assume the form of an eagle, the emblem of the Roman Empire. The Eagle's outcry against the wickedness of Christian kings leads Dante to probe the boundaries of divine justice by looking beyond the confines of Christian Europe. By...more
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The Gospel of Matthew contains some of the most famous passages that both Christians and non-Christians are familiar with. However, Matthew also presents itself paradoxically as preaching a Torah observant Christianity and a Christian mission that seeks to reach gentiles. The figure of Jesus in Matthew is that of a teacher, the founder of the Church, and the model for the apostles and Matthew's...more
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This lecture deals primarily with Cantos XIX and XXVI of Inferno. Simony, the sin punished in Inferno XIX, is situated historically to point out the contiguity of the sacred and the profane and its relevance to the prophetic voice Dante established in this canto. The fine line between prophecy and profanation is shown to resurface in Inferno XXIV and XXV, where the poet falls prey, as did the pilgrim in...more
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In this lecture on psychoanalytic criticism, Professor Paul Fry explores the work of Jacques Lacan. Lacan's interest in Freud and distaste for post-Freudian "ego psychologists" are briefly mentioned, and his clinical work on "the mirror stage" is discussed in depth. The relationship in Lacanian thought, between metaphor and metonymy is explored through the image of the point de capiton. The...more
