Yale / Literature

The Idea of the Autonomous Artwork

By Paul H Fry | Literary Theory Lecture 5 of 25

GRADED BY 8 USERS grade it
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Lecture Description

In this lecture, Professor Paul Fry explores the origins of formalist literary criticism. Considerable attention is paid to the rise and subsequent popularity of the New Critics and their preferred site of literary exploration, the "poem." The idea of autonomous art is explored in the writings of, among others, Kant, Coleridge, and Wilde. Using the work of Wimsatt and Beardsley, the lecture concludes with an examination of acceptable categories of evidence in New Criticism.

Course Description

This is a survey of the main trends in twentieth-century literary theory. Lectures will provide background for the readings and explicate them where appropriate, while attempting to develop a coherent overall context that incorporates philosophical and social perspectives on the recurrent questions: what is literature, how is it produced, how can it be understood, and what is its purpose?

Related Resources

The Autonomy of Art

Course Index

  1. Introduction to Literary Theory
  2. Introduction to Literary Theory (cont.)
  3. Ways In and Out of the Hermeneutic Circle
  4. Configurative Reading
  5. The Idea of the Autonomous Artwork
  6. The New Criticism and Other Western Formalisms
  7. Russian Formalism
  8. Semiotics and Structuralism
  9. Linguistics and Literature
  10. Deconstruction I
  11. Deconstruction II
  12. Freud and Fiction
  13. Jacques Lacan in Theory
  14. The Postmodern Psyche
  15. The Social Permeability of Reader and Text
  16. The Frankfurt School of Critical Theory
  17. The Political Unconscious
  18. The New Historicism
  19. The Classical Feminist Tradition
  20. African-American Criticism
  21. Post-Colonial Criticism
  22. Queer Theory and Gender Performativity
  23. The Institutional Construction of Literary Study
  24. Neo-Pragmatism
  25. Reflections
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