By Amy Hungerford | The American Novel Since 1945 Lecture 13 of 26
Professor Hungerford draws a contrast between Toni Morrison and most of the writers studied up to this point in the course by pointing out how, for an African-American woman writer in particular, language is a site of violence. For all of her power to recuperate the voices of the oppressed, the novelist must be wary of the ways that breaking the silence, too, can constitute an act of invasion. As in the case of Pynchon, the word in The Bluest Eye enacts a near-physical touch; this is its pleasure and its danger. With inimitable complexity and grace, Morrison weaves her narrative around a young black girl who, in the void of her social persona, constructs a beautiful and poisonous fiction.
In "The American Novel Since 1945" students will study a wide range of works from 1945 to the present. The course traces the formal and thematic developments of the novel in this period, focusing on the relationship between writers and readers, the conditions of publishing, innovations in the novel's form, fiction's engagement with history, and the changing place of literature in American culture. The reading list includes works by Richard Wright, Flannery O'Connor, Vladimir Nabokov, Jack Kerouac, J. D. Salinger, Thomas Pynchon, John Barth, Maxine Hong Kingston, Toni Morrison, Marilynne Robinson, Cormac McCarthy, Philip Roth and Edward P. Jones. The course concludes with a contemporary novel chosen by the students in the class.
Lecture Transcript and Reading Assignment
